Lord Voldemort

War Games 1983

If consuming an inordinate number of films has taught us anything at all it’s that a group of people should never venture into the woods without telling anyone. Bad things happen in the woods. It’s where the mutants, in-breds, cannibals and psycho killers set up shop, lying in wait for their victims to cluelessly trickle […]

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Titanic 1997

In its day, there was nothing to compare with Titanic (1997), the film that leapfrogged Star Wars (1977) to take its place as box office conqueror extraordinaire. Now, fast forward 15 years and James Cameron’s epic waterlogged romance of the way too high seas has been given the obligatory 3D treatment and shipped back into

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A Dangerous Method 2011

Two compelling, influential figures, one great director. The stars were aligned when Christopher Hampton’s A Dangerous Method fell into the lap of David Cronenberg. Adapting both his own play, The Talking Cure’ and John Kerr’s book, ‘A Most Dangerous Method’, Hampton set about creating a portrait of Carl Jung (Michael Fassbender) via his ill-fated relationship

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The Raid 2011

Ex-pat British director Gareth Evans bursts onto the international scene with The Raid, an ultra-violent, insanely assaultive battering ram of an action film. Is this Indonesia’s greatest ever export? The set-up is hardly complicated: a 20-strong SWAT team converge on an apartment building to extract a master criminal, Tama (Ray Sahetapy) a man for so

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Say Anything 1989

Looking back at how some familiar and famous cinematic figures first made lasting impressions on audiences is an enjoyable though sometimes embarrassing experience. John Cusack continues to endure, in his younger days often reliably called upon for edgy dramas that had their finger on the pulse of popular taste. In its day, Grosse Point Blank

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Heathers 1988

The film that single-handedly sank the teen-movie whilst introducing Gen-X cinema, Heathers’ place in pop culture seemed all but assured until the tragic events at Columbine High School in 1999. Suddenly, school kids with guns wasn’t such a groovy topic. But recent years have seen a revival of this Michael Lehmann-directed classic. Its arch irony

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