MOTHER SUPERIOR (2022)
Mother Superior, which Marie Alice Wolfszahn wrote as well, starts with character credits displayed as files and logs. In Wolfszahn’s debut, the limited cast is framed with glaringly feminist reports and articles. The opening is overlaid by heavy breaths and a cursed occult score, akin to Argento’s Suspiria and the hoarse breaths of its headmistress. […]