There’s an important lesson every male should learn, even at a young age: Women always get their way. You listening, fellas? Pack it up, party’s over, that’s the way of the world. The likable but unambitious Catch That Kid delivers this bubble-bursting curveball to ten-year-old boys everywhere, delivering a preteen heroine that knows the only […]
At the American Ballet Academy, there is an abundance of passion, talent and determination. Of course these things simply aren’t enough when it comes to making it as a professional ballet dancer. As the camera probes into a crowded room of ballerinas spinning and dipping, a young blond is immediately isolated from the bunch. The
Hollywood is a pimp. A fat, cigar-smoking chump wearing a fur hat and 12 gold chains around its fat, hairy chest. All of its stars and starlets are an evil brood of scum-sucking vampires looking for the next percentage take, the next summer blockbuster, the next casting couch to audition on. Pumping out comic-book adaptations,
I don’t understand why directors decide to remake perfectly good movies. This thought races through my head because I recently saw Charade, the 1963 Stanley Donen gem featuring Cary Grant, Audrey Hepburn, and an endless amount of thrills, chills, and sweet goofiness. It’s an unabashed delight, featuring two screen legends whose charisma is unmatched whether
Angels fight in slow motion. Angels show skin in slow motion. And most importantly, Angels explode in slow motion. Thus we have the three immutable laws of the reinvented Charlie’s Angels, that most improbable crossover hit from the 1970s TV show. Alas, what made the original film such a guilty pleasure wears thin in this
If you have a special connection to The Catcher in the Rye, and if you can take Road Trip uber-geek DJ Qualls seriously in a dramatic role, then maybe you’ll fall in love with Chasing Holden. Qualls stars as Neil, son of the governer of New York, sent to prep school at the age of
In my mind there are two types of metaphor movies: those that kick and those that scream. Those that scream take their metaphors and make them painfully obvious to the viewer. We can’t help but notice them. Those that kick, on the other hand, have metaphors that are silent and effective. Children of a Lesser
Since the beginning of time (or at least the domestication of animals), the chicken has been man’s feathered enigma. Like so many of its feathered friends, it has fallen into the realm of the metaphor (i.e. “He’s a chicken.”). Unlike so many of its edible counterparts, it has survived the hassles of religious communities unscathed
People (mostly French people, I presume) have called Children of Paradise a French Gone With the Wind. It’s equally epic in scope, but good luck following along. Filled with the haughty arrogance of 1940s France, even the title of Children of Paradise is something of an over your head joke. The gaggle of characters hardly
Take Footloose and Like Water for Chocolate, steep the combo in a heaping helping of corn syrup, and you’ll come out with the sticky, sickly-sweet romantic cautionary tale Chocolat. The Cider House Rules director Lasse Hallström helms this adaptation of the best-selling novel by Joanne Harris, and delivers yet another pretty package of tempered social
