This is another one of those movies whose synopsis I have come across plenty of times, but I have never watched it. I believe that I have a couple of copies with me which I bought for really cheap. I do that often, purchase movies which I never watch and then forget that I have […]
In the cinematic thrill of paranormal horror, the supernatural always draws attention. Fans of horror are drawn to it in ways they can only fancifully imagine. Instead of overused tropes such as those involving killer clowns or people out for fiery vengeance, stories that revolve around the paranormal tend to visually capture wrath and gore.
Watching George Clooney and Brad Pitt offer each other knowing glances and then engage in moderately entertaining yet pointed banter is one of the greatest pleasures in cinematography. While the two have starred alongside each other in multiple films, the chemistry stuff mainly happens in “Ocean’s” films directed by Steven Soderbergh. (Among other co-starring projects,
The Goatman showcases interesting concepts and ideas, but doesn’t delve deep enough to explore them. It can be harsh to begin a review this way, especially for a film that is well made, however, this is the last impression you will get from the film. Spooky visuals along with a dreadfully fitting tone accompany a
Skinford was shot in Australia and never screened elsewhere, also in 2017. A sequel, Skinford: Chapter Two, came out in 2018. So, when Skinford: Death Sentence appeared on my radar, I presumed it was the third installment in the franchise. Then I remembered the plot and the crew billing were the same as the film,
This feature film is rather short, about 71 minutes in length, but I found it engaging. I feel it could have benefitted from extra time for character development, but considering the budget, it did quite well. The film starts with a cityscape, then cuts to a parking lot where a car is alone in the
On the twenty-first of November the cinemas started displaying horror anthology You Shall Not Sleep Tonight, consisting of six pieces from various directors, which is portrayed as a single movie. In this review we are going to elaborate on all of these stories while making it clear that it is yet another genre film junk
Film noirs from the late 1940s and early 50s were generally straightforward, simple stories that were short in length and fast-paced. They were cheaper to produce than regular Hollywood films, so they were categorized as B-movies. During Hollywood’s Golden Age, Ida Lupino’s The Hitch-Hiker differentiated itself from other films when it came to violence, and
Calvin Morie McCarthy, a writer-director and cinematographer, created the movie An Amityville Poltergeist. Let’s be honest, it had the obnoxious cash-grabbing title after being released, and was also known as No Sleep or Don’t Sleep. It appears that he has an inclination towards spine-chilling stories related to sleep. This follow-up of his, which has as
The Haunted Hotel is not purely mental. You will feel your personal space getting invaded and it will make you feel a grime. You can check into the haunt but there is no way you are going to check out. It’s very tense and disturbing because there is no telling an actor’s next move. The
