While Denmark plays in the finals, two women at a distant gas station become victims of an odd and bizarre incident. Does it, however, get more complex than that? This is one form of the horror genre that has never interested me. In my opinion, it is a sub horror genre that developed with the […]
If you were a fan of the first ‘Mamma Mia!’ movie released in 2008, then ‘Mamma Mia! Here We Go Again’ has so much more to offer and so much less as well. The sequel (which is also a prequel) has a bigger cast, longer running time, more subplots, and more romantic relationships. But it’s
“Sting” features a modestly scaled horror caper where a spider attacks a couple of Brooklynites over the course of 91 minutes, which inludes the 7 minutes allocated to the closing credits. The running time feels undeniably short for the film because several characters and animal attack scenes feel rushed and underdeveloped. Even though there is
“Fields of the Dead” ends with a ghost asking “Do you understand now?” to another ghost that affirms in reply. Based on that I guess I’m glad someone got it even if it is fictional. Personally, there are a number of things I never quite figured out. The trailer of “Fields of the Dead” hints
My biggest issue with “Compound Fracture” is that it led to a very bad case of writer’s block that forced me to think about the movie for much longer than I had to and to try to re-write this first paragraph way too many times. I know what I think about the film. The problem
What was Sci-Fi Channel thinking when they made Sharknado? As crazy as it seems, I watched a good bit of it and found it rather fascinating. The film had gone viral across various platforms. According to Sci-Fi, the online feeding frenzy peaked at 5,000 tweets per minute, and they smashed the network’s social media records.
As Film Apocalypse is dedicated to independent films, I find myself watching many movies that are nowhere close to what people consider good. Because of this, the reviews on the site tend to be pointed towards true indie and no-budget film fans. Although I do my best to not have my expectations too high, I
Jo (Josephine Decker) sustains herself in New Orleans by reciting ghost stories for a living. She conducts ghost walks and participates in performance art pieces called “Haunted Gatherings” in allegedly haunted places. Jo has a strong instinctive connection with spirits, a trait she inherited from her mother who was a psychic. It seems a certain
With Bad Impulse, Michelle Danner delivers an absolutely thrilling commentary on contemporary society’s obsession with technology that makes us question whether “we are no different than animals in the jungle in the jungle.” Exploring family dynamics, the analytical thriller horror elevates the vibrancy of the storyline by keeping every detail in the audience’s hand, but
Mother Superior, which Marie Alice Wolfszahn wrote as well, starts with character credits displayed as files and logs. In Wolfszahn’s debut, the limited cast is framed with glaringly feminist reports and articles. The opening is overlaid by heavy breaths and a cursed occult score, akin to Argento’s Suspiria and the hoarse breaths of its headmistress.
