Movies

Antwone Fisher (2002)

Quiet, small-scale, and self-contained dramas such as Antwone Fisher can be powered in one direction or another by the smallest detail. For title character (and real person) Fisher (Derek Luke), a sailor serving in the U.S. Navy, it’s an ill-advised fistfight with a fellow officer that sparks his emotional odyssey. The outburst is sudden, swift, […]

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Ararat (2002)

Life must be a nonstop party at the old Egoyan homestead. Our pal Atom comes home, tired from a long day’s work, sits down for dinner with his wife Arsinée Khanjian, and finally they retire to the living room where they get to discuss Armenia at length. Atom Egoyan, the avant-garde Canadian filmmaker born in

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Atanarjuat (2001)

After screening Atanarjuat (The Fast Runner) before a sold-out crowd at the New York Museum of Modern Art, filmmakers Zacharias Kunuk and Norman Cohn answered an audience member’s question with obvious chagrin. While the film had collected six Genie awards (Canada’s Oscars), including prizes for Best Film, Best Direction, and Best Screenplay, Cohn noted that

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Audition (1999)

Starting right with its cover shot of demure Japanese model Eihi Shiina wearing a chemical-safe, black rubber glove and clutching an enormous syringe, we know we’re in for something extremely wrong with Takashi Miike’s Audition. And in a way, that’s the problem. Audition starts out as the sweetest little love tragedy you can imagine. Poor

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Bad Education (2004)

A fantasia of Almodóvar’s trademark hang-ups that nonetheless surpasses his previous outings in scope, structure, and heart, the movie is a marvelous, noir-inspired meditation on love, sex, and identity that pulses with florid passion. It may be the best film of the year. Almodóvar’s narrative is a marvel of temporal-shifting beauty, seamlessly moving back and

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