Love Camp 7 (1969)

Love Camp 7 (1969)

Love Camp 7 (1969) Movie Info

FieldDetails
Movie NameLove Camp 7 (1969)
DirectorLee Frost (credited as R.L. Frost)
Screenplay WriterBob Cresse, Wes Bishop
Based on Novel by— (Original screenplay)
Lead ActorsMaria Lease, Kathy Williams
CastMaria Lease, Kathy Williams, Bob Cresse, John Alderman, Bruce Kimball
GenreHorror, Thriller, War, Exploitation
Release DateOctober 4, 1969
Duration1h 36m (96 minutes)
BudgetLow-budget exploitation film
LanguageEnglish
CountryUnited States
Box Office (Worldwide)Limited grindhouse / drive-in release
IMDb Rating~3.9/10
Notable ForEarly “Nazisploitation” cinema, controversial content, cult status
Censorship StatusBanned/rejected in several countries including UK for many years

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A couple of female soldiers from the US go undercover in a Nazi prison camp brothel to rescue an important agent who’s being “trained” there. Once inside, they’re subjected to the tortures of the demented warden and his guards, and forced to sexually please the officers who visit there.

This is one of my favorite exploitation flicks. It’s not as extreme as Ilsa and the like, but at times it’s a little too harsh, and other times it‘s clearly meant to be purely sexual entertainment. Forget that, though, it’s a pretty good story and done with flair.

There are some things a good exploitation flick needs. There has to be some shock. It doesn’t matter what, but a fan of the genre wants to go “ew” at least once, preferably a few times. We want to condemn it as sick without facing the fact that sick is exactly what we were looking for when we got the movie. Well this one is.

Also there should be nudity, by “should be” I mean absolutely has to be. There is plenty in this one and Maria Lease is both really hot and has a great rack. There’s a long scene of her being whipped while topless that is a perfect example of the beauty of exploitation. She’s bouncing all over the place, you can’t help but be mesmerized, and you feel guilt because it’s evil yet hot. Nothing I like more than moral conflict.

There’s some aspects that will later be clichés in the genre evident. The guard who thinks all the horrors are horrible, and will eventually die rebelling against the evil, for example.

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